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You have to focus manually at infinity, which is needed in light of the movements. Reasonably round at smaller apertures, octagonal at smaller apertures. Use the Canon EF12 II to get close-ups to about 4/5 life-size at the image sensor.Ĭanon TS-E 24mm f/3.5 L II at f/3.5 (no diaphragm visible). On 1.6x Canon cameras it will see angles-of-view similar to what a 38mm lens would see on a 35mm camera.Īngle of View (unshifted, on 35mm and full-frame cameras)ġ80º with seven locking positions spaced 30º apart.Ġ.7 feet (0.21m), specified, from the image plane. On 1.3x Canon cameras it will see angles-of-view similar to what a 31mm lens would see on a 35mm camera.
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Rear focus nothing moves externally as focused except the big focus ring. Variable-index-of-refraction "sub-wavelength structure" coating (SWC). Three UD glass elements to minimize secondary lateral color.
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II means that this is the second Canon 24/3.5. L only means as expensive as L it means nothing technically.
#Tiltshift rain full#
TS-E means "Tilt Shift Electronic" meaning that the aperture is coupled electronically to your camera for full control and exposure automation. Intro Specs Performance Compared Usage RecommendationsĬanon calls this the CANON LENS TS-E 24mm f/3.5 L II. This means of course it works great on today's 5D Mark II and Canon 7D, but it works just as well on my original Canon EOS 620 from 1987! This Canon TS-E EOS 24mm f/3.5 L II works perfectly with every Canon EOS camera ever made, meaning every Canon DSLR and every Canon autofocus 35mm camera made since 1987. This L lens is optimized for 35mm film and full-frame digital, and of course works on 1.3x and 1.6x Canon cameras. This new Canon TS-E 24mm f/3.5 L II lens replaces the first Canon TS-E 24mm f/3.5 L that was introduced in 1991.Ģ.) A new rotating mount to make it trivial to change the shift and tilt axes.ģ.) A tilt lock to lock the tilt at neutral. Note the lack of the "EF" electronic focus designation. Stitched panoramas are the least creative use of these lenses. We can use shift to let us shoot directly into a window or mirror, and not be seen in the reflection. These movements can be used in reverse from their classical applications to narrow a plane of focus and to exaggerate towering perspective. See Steve Simmons " Using the View Camera" and/or Ansel Adams' " The Camera" for the best explanation of how and why to use these movements. They let us define precisely what is or not in focus, and let us alter the relative sizes of things, as well as just let us keep lines parallel These movements are critical to fine photography. Ideally the movements need to be done very carefully for the best results. It works hand-held, but for the most precise results for which people pay for this lens, this lens works best on a tripod. Metering doesn't work when shifted you need to lock or meter the exposure in the unshifted position, and then shift back to your chosen positions. This special lens allows the lens to be shifted up so that the camera remains horizontal and therefore the building will remain straight. For instance, pointing a camera up at a building makes the top look too small. Shift allows one to keep parallel lines parallel, even if you need to look up, down, left or right instead of directly at a subject. By tilting the lens, we can bring the ground, a wall or a table-top all into perfect focus, from inches away to infinity. Tilt allows one to tilt the plane of focus to allow perfect focus along any plane, not just the plane of the sensor as with a normal camera. The Canon TS-E 24mm f/3.5 L II is a special-purpose lens that allows one to tilt and to shift the lens to mimic the movements of large-format cameras for serious landscape, studio, tabletop and architectural photography. I use Adorama, Amazon, eBay, Ritz, B&H, Calumet, J&R and ScanCafe.
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